
Screenshot from The Age
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The choice of St Paul's Anglican Cathedral in Melbourne for the state funeral of footballer Jim Stynes has struck some as incongruous, given Stynes was raised in a Catholic family in Dublin, reports The Age.
Why, many asked, would it be an Anglican service rather than Mass at St Patrick's, and there was conjecture that the reason was the guidelines for Catholic funeral services, published 18 months ago, that forbid scarves, football songs or personal eulogies in favour of liturgical readings and music.
In fact, the Stynes family never approached the Catholic Church. It was the express desire of Stynes, who helped plan the funeral with his wife, Sam, that it should be an ecumenical service, according to the man who will lead it today, Dr Ray Cleary, Dean of St Paul's.
He will share the role with Catholic priest Joe Caddy, head of Catholic Social Services in Melbourne, and Baptist minister Paul Burnham. Anglican Archbishop Philip Freier will commit the body.
A friend of Stynes said the Irish community was very surprised that the funeral was not being held at St Pat's. ''Everywhere I go, people are saying, 'What's happening, why is he being buried at St Paul's?' They are all talking about it.''
Melbourne Catholic Archbishop Denis Hart confirmed that the church had not been approached. ''We knew he was a Catholic, and parish priests have told us he came to Mass at the church, but it's not for me to comment on what the family decides,'' Archbishop Hart said. ''He was prayed for at all the Masses at the cathedral yesterday. He was a fine young man.''
He said the funeral guidelines at the cathedral were the same as at all Catholic churches throughout the world: a funeral is not a commemoration of a life but a service of worship and prayer for peace of a person's soul - ''though in the context of a person's life''.
The funeral starts at 11am. It will be televised on channels 7, 9, 10, ABC News 24, and at the city's Federation Square.
FULL STORY
An Irish touch to farewell a legend (The Age)
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Screenshot from The Age